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A guest-hosted broadcast, a guided listening session

A concert broadcast lets you move between performance and conversation. Treat the programme details as a map and your own notes as observations, not a substitute for those credits.

MichaelT editorial17 October 2026

A useful way through

  1. Open From the Top show 376 and read the performer list before listening. Note the distinction between recording date and broadcast date.
  2. Choose one performance and follow it without interruption. Write the instruments and one detail that stood out.
  3. Replay a small section and check that detail. Then read the programme credit to distinguish the composition from an arrangement.
  4. Discuss one musical choice using evidence from the sound. Use “I hear” for an observation and “the programme credits” for a documented fact.
A guest-hosted broadcast, a guided listening session: Read the credits; Listen uninterrupted; Replay one detail; Separate sound and source
Read the credits → Listen uninterrupted → Replay one detail → Separate sound and source.

Open full-size diagram ↗

Read the map as text

LISTENING MAP · 01 · Read the credits · 02 · Listen · uninterrupted · 03 · Replay one detail · 04 · Separate sound and · source

  1. Read the credits
  2. Listen uninterrupted
  3. Replay one detail
  4. Separate sound and source

Put it into practice

A response to the Bach movement could describe the contrast between the low and high parts without asserting how it was rehearsed. The programme, rather than guesswork, supplies the credited work and performers.

Illustrative example, not a reported client project or test.

Your take-away checklist

A guest-hosted broadcast, a guided listening session

  • □ Read the credits: ____________________
  • □ Listen uninterrupted: ____________________
  • □ Replay one detail: ____________________
  • □ Separate sound and source: ____________________

Before you act

Use the linked artist, publisher or presenter for exact credits and current availability. These listening and planning exercises are editorial additions, not quotations from a lesson by Michael Thurber.

Sources & context

From the Top lists show 376 as recorded in Boston on 6 October 2019, with Tessa Lark and Michael Thurber as guest hosts. Its programme includes the third movement of Bach’s Sonata in G minor, BWV 1029, and Cedar and Sage. The page also lists later release dates; they are not additional recording sessions.

Read the primary source ↗

Two records, two moments in a musical life

Page 11 of From the Top’s Year in Review 2012–2013 names Michael Thurber among its alumni and identifies him in a CDZA image with Charles Yang. The 2019 programme later credits Thurber and Tessa Lark as guest hosts. These are two documented roles at different dates; they do not prove a universal career path or a causal result of participation.

Michael Thurber and Charles Yang in the CDZA Human Jukebox image reproduced in From the Top’s 2012–2013 report
CDZA image from From the Top, Year in Review 2012–2013, page 11. The report identifies Michael Thurber at left and Charles Yang at right. No photographer is identified there.

Read the original 2012–2013 report ↗

Make your own dated project record

  1. Name the project and the exact role you performed.
  2. Record the performance, recording and publication dates separately where they differ.
  3. Keep an approved credit, programme or file reference as evidence.
  4. Add one practical lesson for your next project. Do not turn one experience into a promise of the same outcome for everyone.

Michael Thurber — biography, photographs & official links ↗

MICHAELT · SOUND, IDEAS & EVERYDAY CRAFT